BLOG TOUR SPOTLIGHT: The Measurements of Decay by K.K. Edin @smithpublicity @edin_kk
The Measurements of Decay
by K.K. Edin
It's my pleasure to be today's BLOG TOUR feature for The Measurements of Decay!
Continue below for a book synopsis, about the author and a Q&A with K.K. Edin!
Publisher: Metempsy Publications
Publish Date: March 25, 2018
Paperback
588 pages
Genres: Sci-fi, Philosophy
In the far future, Earth's nearby star systems have been colonized. Outfitted with a device that allows them to escape into hallucinations at will, people spend most of their time withdrawn into their own minds. Tikan Solstafir, a renegade who refuses the illusory life enjoyed by others, lives in self-imposed exile on a starship. When a mysterious enemy attacks the ship, Tikan embarks on a mission to destroy the galactic tyranny and liberate humanity from its own dreams. Meanwhile, in the 21st Century, a disillusioned philosopher believes that humanity s collective misery originates in people s failure to communicate with others and make sense of the world. Growing increasingly misanthropic and monomaniacal, he proceeds on a hermetic quest to save humanity from itself, while also succumbing to his own moral decline. As these stories intertwine, a young girl reappears through various epochs, fleeting through Ancient Greece, Medieval Norway, Bolshevik Russia, among others. Unbound by time, Sielle has formed few attachments. Eventually thrust into Tikan's world, she becomes unwillingly entangled in a political scheme spanning centuries. At once a tortured love letter to philosophy and a space opera spanning centuries, it is a novel of ideas wrapped in a cautionary tale.
**Currently a Goodreads Giveaway happening until May 7th! Get your entry in today!
Author Bio:
K. K. Edin was born in New York and grew up in the UK, France and parts of the Middle East. He holds a Bachelor of Arts degree in Philosophy and Political Science and a Masters in Philosophy from Boston University. He currently lives in Boston and The Measurements of Decay is his debut novel. Find K.K. Edin on Facebook, Twitter, Goodreads, and at www.kkedin.com.
The Measurements of Decay [Metempsy Publications] is now available in hardback, paperback and e-book formats on Amazon.
Author Q&A
1.
What inspired you to write The Measurements of Decay?
The novel draws from many
inspirations. Too many, perhaps. I began writing it when I was 20 years old and
steeped in the classics of philosophy. I recall that the main themes arose out
of a series of thoughts I had at the time in response to Descartes’ Meditations on First Philosophy. Part of Descartes’
work seemed to imply to me, at the time, that absolute certainty about
something can only be achieved in virtue of being that thing. Obviously the
only thing one can be is oneself. With this as
the criteria for knowledge-at-its-best, the implication, therefore, is that
anything other than oneself is subject to doubt. But what would it take for
that certainty and those conditions to extend to other things and people, and
even form the foundation of science? What political and moral implications
would this have? The logical thread quickly ended up somewhere between
absurdity and nightmare. In other words, perfectly suitable for the crucible of
science fiction. My study of philosophy continued to inform the novel,
especially as many problems related to the tension between objectivity and
subjectivity became apparent. It is one of the key conflicts of philosophy: How
can the individual make sense of being in the world, which is shared by others?
How does our limited and unique perspective impact our moral considerations,
our ability to be scientific, or our understanding of consciousness and being?
Moreover, how can we make sense of duty, freedom and knowledge in the shadow of
this subjective-objective tension?
These are the themes I wanted to
address, but I wanted to address them in grand, Melvillian style. I wanted to
combine the speculative power of science fiction, the psychological investigation
that authors like Dostoevsky or Hamsun perform, and those problems of
philosophy that occurred to me while I was a student. And I wanted to create a
beautiful, if dark and risky, work of it.
2.
What advice would you give readers interested in reading
The Measurements of Decay? How should
they approach the novel?
The reader should approach The
Measurements of Decay with a degree of patience. I have written the novel in an
ornate style that bucks the minimalist trend. That alone means paying more attention
to the language and not racing through the plot, which is itself somewhat
complicated and tangled in other aspects of the writing. The reason for this is
that the language is itself a key part of the story, for philosophical,
thematic and character reasons. The overarching plot, meanwhile, unravels quite
slowly. Many readers have expressed that they found themselves having to accept
a degree of ambiguity through the first half or so, but being enthralled by the
plot thereafter and appreciating the upward climb retroactively. In addition,
the philosophical content of the book can be quite intense, especially for
someone without a background in the subject, though not, I think, impossible. Lastly,
I would say that the reader should treat the Narrator as a character with his
own idiosyncratic worldview, use of language and will. Much of the novel is an
exploration of his psyche and his philosophical troubles. To understand the
novel is to attempt to understand the Narrator.
3.
Who are your favorite authors you like to read and/or
follow?
Herman Melville, Fyodor Dostoevsky,
Cormac McCarthy, Thomas de Quincy, Dan Simmons, Alfred Bester, Ursula K.
LeGuin, Sylvia Plath, Emily Dickinson, Gene Wolfe, Edgar Allan Poe, H. P.
Lovecraft, J. R. R. Tolkien (particularly The Silmarillion).
4.
When do you find the time to write?
Usually late at night, but not
necessarily. I tend to write whenever I have at least a solid hour in the day,
and all other tasks have been completed.
5.
Who and/or what has influenced your writing style?
I am attracted to beautiful and
daring language, intellectual ideas and poignant characterization. The novels
that I enjoy the most tend to be ornately written, poetic and philosophical in
some degree.
In terms of fiction, I draw from the
psychological investigations of Dostoevsky, Knut Hamsun and Thomas de Quincy,
the immortal masterpiece that is Moby Dick, the speculative powers of science
fiction from Alfred Bester and Ursula K. LeGuin, and the magnificent prose of
Cormac McCarthy.
Most of the ideas I like to base my
themes on are drawn from the history of philosophy, though not always.
6.
What are you working on now?
I have ideas for three more novels,
each very different from the other, and different to The Measurements of Decay.
I am also focusing very much on my professional career and my personal life,
with much less time for writing, at the moment.
7.
Do you have any advice for aspiring writers?
Decide from the beginning if you want
to write mainly for artistic or entertainment or commercial reasons. If you
decide to write for mainly artistic reasons, your standard should be nothing
short of an absolute masterpiece. You will in all likelihood fail, but it will
probably force you to increase the quality of your work. Aim for the stars, as
they say.
In terms of writing itself, I like to
think of the first draft as a process of excavating marble from a quarry. After
the marble is prepared, you can begin sculpting. I also do not believe in inspiration
as a necessary requirement to writing. I have found that inspiration only makes
starting easier, or helps in generating ideas. It provides no noticeable
increase in quality.
If you are writing for purely
artistic reasons I would also avoid any business related information about the
world of publishing until you are finished with at least the second draft. The
knowledge may poison your vision. On the
other hand, if you are writing mainly to entertain or for commercial reasons,
make sure to read up as much as possible about the publishing world, and, in
particular, about the constrictions of your respective genre.
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